The archiveLos Angeles1999—2027

Justin Zachary / The archive

Choose
Legacy.

A role. A mentor. A story that refused to let go.

Enter the story ↓
TRAINSPOTTING

The beginning

Some roles end.
This one evolved.

Justin Zachary’s history with Trainspotting spans decades. What began with Mark Renton became a creative lineage—bound to the late director Roger Mathey, tested across multiple productions, and now carried forward through PORNO.

The timeline

One character · four chapters

1999
Chapter 01

Trainspotting

Justin first steps into Mark Renton’s battered trainers—and into the role that would become a defining thread in his creative life.

2002
Chapter 02

The return

The production returns, deepening a long collaboration with director and mentor Roger Mathey.

2013
Chapter 03

A new generation

Justin revisits Renton again: older, sharper, and still searching for a way through.

2027
Chapter 04

PORNO

The story moves forward. Justin directs and produces the planned U.S. premiere of Irvine Welsh’s sequel through Hypnotized Chickens Productions.

Personal essay

Scotland
/ Renton
/ Roger
/ PORNO

A Love Letter
to Scotland

A personal piece about the country that gave Justin a defining role, a creative family, and a story he is still carrying forward.

Read the letter ↗
“No Scotland, no story.
No PORNO, no party.
Slàinte.”
REV
01
“A role he was
born to play.”

Xaque Gruber
The Huffington Post

The critical record

Only independently verified original clippings or surviving publisher pages are linked here. Reconstructed or generated archive pages have been removed.

2002

Press chapter

The breakthrough

REV 02

Back Stage West · Wenzel Jones

“Zachary gives an intriguing performance as the feckless lead, conveying the spirit of a nice kid who just happens to be a dissipated junkie.”
REV 03

Ticket Holders · Travis Michael Holder

“As Mark, Zachary is amazing, part wide-eyed child and part future degenerate in the making.”
REV 04

Review · T. H. McCulloh

“Zachary gives a fine, kinetic performance full of solid understanding of the text, and with a marvelous sense of rhythm and shading.”
REV 05

LA Weekly · Miriam Jacobson

“Zachary’s achingly vulnerable protagonist… provides bemused narration, which both lightens the tragedy and facilitates the Scottish vernacular.”
REV 06

IN Los Angeles Magazine · David Nichols

“If Zachary’s manically angelic Mark gives us highs and lows without the transitions between, his investment is absolute.”
REV 07

Daily Breeze · Jim Farber

“It's an experience that is alternately horrific, painful, absurdly humorous, and ultimately cathartic...”
REV 08

Willcall.org · Dave DePino

“This production is meticulously directed… to scream in your face. This is real.”
REV 09

Addicted to the Edge · Jeff Favre

“Trainspotting… has become one of the most talked-about productions in the city.”
REV 10

The Hollywood Reporter · Jay Reiner

“Zachary gives the alienated character a softer, less abrasive feel than McGregor did in the film, making it easier to sympathize with his predicament.”
2013

Press chapter

The return

REV 02

Stage and Cinema

“Justin Zachary is a theatrical force to be reckoned with.”
REV 05

Backstage

“Justin Zachary reprises the part, and his performance makes the show.”

Roger Mathey / Director & mentor

Roger Mathey, director and mentor

The work
continues.

Roger Mathey helped shape Justin’s understanding of the stage, of Renton, and of what fearless theatre could be. The next chapter is a continuation of the standard they built together.

Next / 2027

PORNO

Irvine Welsh’s sequel brings Renton, Sick Boy, Spud, and Begbie back into one another’s orbit. Justin returns to this world as director and producer of the planned U.S. premiere.

Production inquiries